Aran Bell began studying ballet at age four, receiving the majority of his early training at Central Pennsylvania Youth Ballet and with Denys Ganio in Rome, Italy. After joining ABT Studio Company in 2014, Bell joined the main Company as an apprentice in 2016 and became a member of the corps de ballet in 2017. He was promoted to Soloist in 2019 and appointed a Principal Dancer in 2020. His repertoire includes Albrecht in Giselle, the Nutcracker Prince and the Mouse King in Alexei Ratmansky’s The Nutcracker, Romeo in Romeo and Juliet, and Prince Désiré in Ratmansky’s The Sleeping Beauty. He created Mme. de Staël in A Gathering of Ghosts, Winter in The Seasons and leading roles in AFTERITE, Let Me Sing Forevermore, and New American Romance.

Isabella Boylston began dancing at the age of three. Boylston joined ABT Studio Company in 2005, the main Company as an apprentice in 2006, and the corps de ballet in 2007. She was promoted to Soloist in 2011 and to Principal Dancer in 2014. Her repertory with the Company includes Nikiya and Gamzatti in La Bayadère, the title role in Alexei Ratmansky's Firebird, Giselle in Giselle, the title role in Jane Eyre, Juliet in Romeo and Juliet, Princess Aurora in Ratmansky’s The Sleeping Beauty, and Odette/Odile in Swan Lake. Boylston created Columbine in Ratmansky’s Harlequinade andThe Spirit of the Corn in Ratmansky’s The Seasons,and leading roles in Ratmansky’s Chamber Symphony, Christopher Wheeldon’s Thirteen Diversions, and Gemma Bond’s A Time There Was.

Skylar Brandt began her training at the age of six under Diana White and Christian Claessens at Scarsdale Ballet Studio. Brandt joined ABT II (now ABT Studio Company) in 2009, became an apprentice with the main Company in 2010, joined the corps de ballet in 2011, and was appointed a Soloist in 2015. She was promoted to Principal Dancer in 2020. Some of her roles with the Company include Polyhymnia in Apollo, The Maiden in Firebird, Giselle in Giselle, Young Jane in Jane Eyre,and Princess Florine in Ratmansky’s The Sleeping Beauty. Brandt created a Consort in A Gathering of Ghosts, The Swallow in Ratmansky’s The Seasons, the Fairy Canari qui chante (Canary) in Ratmansky’s The Sleeping Beauty, and a leading role in Her Notes.

Herman Cornejo was born in Mercedes, San Luis, Argentina and began his ballet studies at the age of eight at the Instituto Superior de Arte at Teatro Colón, Buenos Aires. Following a career as a principal dancer with Ballet Argentino, Cornejo joined American Ballet Theatre in 1999, was promoted to Soloist in 2000, and to Principal Dancer in 2003. His roles with the Company include the title role in Apollo, Basilio in Don Quixote, Albrecht in Giselle, Des Grieux in Manon, and Romeo in Romeo and Juliet. Cornejo has created numerous roles including the Host in A Gathering of Ghosts, Caliban in The Tempest, and leading roles in AFTERITE, The Brahms-Haydn Variations, Serenade after Plato’s Symposium, Seven Sonatas, and Symphony #9.

Patrick Frenette began his early training at the Goh Ballet Academy under the instruction of Fiona Smith. Frenette began studying full time at SAB in 2012. He performed a principal role in George Balanchine's Divertimento No. 15 in his graduation performance. Frenette joined ABT as an apprentice in 2013 and the corps de ballet in 2014.  His repertoire with the Company includes one of the Three Ivans in Aurora’s Wedding, Wilfred in Giselle, the Butler and the Majordomo in Alexei Ratmansky’s The Nutcracker, a Fairy Cavalier, the English Prince and the Wolf inRatmansky’s The Sleeping Beauty, Spanish Dancein Swan Lake and roles in After You and Deuce Coupe.  He created roles in Dream within a Dream (deferred), Praedicere, and Songs of Bukovina.

Carlos Gonzalez began studying classical dance in 2005 at El Conservatorio Profesional de Danza Fortea. In 2012, he continued his training at the El Real Conservatorio Profesional de Danza Mariemma in Madrid. His repertoire included the peasant pas de deux from Giselle, Basilio in Don Quixote, the Nutcracker Prince in The Nutcracker, Swan Lake, Juan Carlos Santamaría’s Sounds, and Jean-Philippe Dury’s Four Seasons. Gonzalez joined American Ballet Theatre Studio Company in 2015, became an apprentice with the main Company in 2016 and joined the corps de ballet in 2017.  His repertoire with ABT includes Harlequin in Harlequinade, a leading role in AFTERITE, and featured roles in Deuce Coupe and In the Upper Room. He created a featured role in A Time There Was.

Blaine Hoven began his training at Mobile Ballet under the direction of Winthrop Corey and Ann Duke. Hoven joined ABT Studio Company in 2003 and the main Company as a member of the corps de ballet in 2004. He was appointed a Soloist in 2016. His repertoire with the Company includes a leading role in Brahms-Haydn Variations, the peasant pas de deux in Giselle, Pierrot in Alexei Ratmansky’s Harlequinade, Bacchus in The Seasons, the Bluebird in Ratmansky’s The Sleeping Beauty, andBenno in Swan Lake. He created Louis XIV in A Gathering of Ghosts, the Spanish Dance in Ratmansky’s The Nutcracker, The Faun in The Seasons, the Italian Prince in Ratmansky’s The Sleeping Beauty, and leading roles in AFTERITE, Her Notes, and Serenade After Plato’s Symposium.

Catherine Hurlin began her dance training at Scarsdale Ballet Studio and Westchester Dance Academy.  She attended ABT’s Summer Intensive as a National Training Scholar from 2010–2012. As a student, Hurlin created the role of Young Clara in Alexei Ratmansky’s The Nutcracker. Hurlin joined ABT as an apprentice in 2013 and the corps de ballet in 2014.  She was promoted to Soloist in 2018.  Her repertoire with the Company includes Maiden in Firebird, Myrta in Giselle, Young Jane in Jane Eyre, Bacchante in The Seasons, Princess Florine, in Ratmansky’s The Sleeping Beauty, and the pas de trois in Swan Lake. She created Greased Lightening in A Gathering of Ghosts, Callirhoe in Of Love and Rage, Hail in The Seasons, and leading roles in Let Me Sing Forevermore and New American Romance.

Tyler Maloney started his training at a young age at the local YMCA. In 2010, Maloney performed the role of the Nutcracker Boy in the premiere of Alexei Ratmansky’s The Nutcracker at the Brooklyn Academy of Music. He joined ABT Studio Company in 2013, the main Company as an apprentice in 2015, and became a member of the corps de ballet in 2016. His repertory includes the Mandarin, the peasant pas de deux in Giselle, Harlequin in Harlequinade, a Fairy Cavalier in The Sleeping Beauty, leading roles in AFTERITE, Serenade after Plato's Symposium, and featured roles in AfterEffect, The Brahms-Haydn Variations, and Dream within a Dream (deferred). He created Polycharmus in Of Love and Rage, a Satyr in The Seasons, and featured roles in Praedicere and A Time There Was.

Luciana Paris began her ballet training at the age of seven with Elena Perez. She joined American Ballet Theatre as a member of the corps de ballet in 2001 and was appointed a Soloist in 2015. Her repertoire with the Company includes Mercedes in Don Quixote, Columbine in Alexei Ratmansky’s The Nutcracker, Fleur de farine (Wheat flower), Diamond Fairy and Silver Fairy in Ratmansky’s The Sleeping Beauty, the cowgirl in Agnes de Mille’s Rodeo, and the pas de trois in Swan Lake. Paris created a Consort in Twyla Tharp’s A Gathering of Ghosts, Callirhoe’s Maid in Alexei Ratmansky’s Of Love and Rage, Snow in Ratmansky’s The Seasons, and a leading role in Robert Hill’s Concerto No. 1 for Piano and Orchestra.

Devon Teuscher began her dance training at the age of nine at Champaign Urbana Ballet Academy in Champaign, Illinois, before studying at the Vermont Ballet Theatre School in Essex, Vermont. After joining ABT Studio Company in 2006, Teuscher became an apprentice with the main Company in 2007. She joined the corps de ballet in 2008, became a Soloist in 2014 and a Principal Dancer in 2017. Her roles with the Company include Polyhymnia in Apollo, Myrta in Giselle, Pierrette in Harlequinade, the title role in Jane Eyre, Juliet in Romeo andJuliet, Frost in The Seasons, Lilac Fairy in Ratmansky’s The Sleeping Beauty, andOdette/Odile in Swan Lake. She created the Fairy Candide (Sincerity) in Alexei Ratmansky’s The Sleeping Beauty and featured roles in After You, Her Notes, and Serenade after Plato’s Symposium.

Cassandra Trenary began her dance training at Lawrenceville School of Ballet. She was invited to join ABT II (now ABT Studio Company) on their European tour in 2011. In April of that year, she was offered an apprenticeship with ABT and, in November, a corps de ballet contract. She was promoted to Soloist in 2015 and appointed a Principal Dancer in 2020. Trenary’s roles with ABT include Calliope in Apollo, the Dryad Queen in Don Quixote, Golden Cockerel in The Golden Cockerel, Columbine in Harlequinade, Mrs. Fairfax and Bertha Mason in Jane Eyre, The Rose in The Seasons, Princess Aurora in The Sleeping Beauty, and Princess Praline in Whipped Cream. She created a Consort in A Gathering of Ghosts, Bacchante in The Seasons, and Princess Florine in Ratmansky’s The Sleeping Beauty.

James Whiteside began his training at age nine at the D'Valda & Sirico Dance and Music Centre. In 2002, Whiteside joined Boston Ballet II. He then joined the corps de ballet in 2003, became a second soloist in 2006, first soloist in 2008, and was promoted to principal dancer with Boston Ballet in 2009. Whiteside joined American Ballet Theatre as a Soloist in 2012 and was named a Principal Dancer in 2013. His repertoire with ABT includes Basilio in Don Quixote, Albrecht in Giselle, the Nutcracker Prince in Alexei Ratmansky’s The Nutcracker, Prince Désiré in The Sleeping Beauty, Prince Siegfried in Swan Lake, and Prince Coffee in Whipped Cream. He created Harlequin in Ratmansky’s Harlequinade, Zephyr in The Seasons, and leading roles in AFTERITE, Garden Blue, Serenade after Plato’s Symposium, and A Time There Was.